{"id":108,"date":"2020-01-01T20:04:49","date_gmt":"2020-01-01T19:04:49","guid":{"rendered":"http:\/\/www.leoncedesaintmartin.fr\/?p=108"},"modified":"2020-11-24T17:41:01","modified_gmt":"2020-11-24T16:41:01","slug":"six-peces-breves-pour-harmonium-op-26","status":"publish","type":"post","link":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/2020\/01\/01\/six-peces-breves-pour-harmonium-op-26\/","title":{"rendered":"Six p\u00e8ces br\u00e8ves pour harmonium op.11"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">mars-avril 1926<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans un geste de d\u00e9licate d\u00e9f\u00e9rence, chacune de ces six pi\u00e8ces pour harmonium ou orgue avec p\u00e9dale ad libitum, est d\u00e9di\u00e9e \u00e0 l\u2019un des organistes r\u00e9put\u00e9s de ces ann\u00e9es, et plus particuli\u00e8rement aux deux organistes auxquels Saint-Martin \u00e9tait le plus redevable, Vierne en t\u00eate, d\u00e9dicataire du <em>Pr\u00e9lude<\/em>, et sym\u00e9triquement, Adolphe Marty, d\u00e9dicataire du <em>Final<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I. Pr\u00e9lude<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le <em>Pr\u00e9lude<\/em> trace, dans un chromatisme exacerb\u00e9, la lente mont\u00e9e de son th\u00e8me comme un effort douloureux, ou une supplication, puis son apaisement progressif.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s6UZ0ujOSJA\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">II. Pastorale<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u00e9di\u00e9e \u00e0 Am\u00e9d\u00e9e de Vallombrosa, la d\u00e9licieuse <em>Pastorale<\/em> fait dialoguer fl\u00fbte 8 et hautbois, avec un interm\u00e8de voix c\u00e9leste.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JY6wDKVFkm8\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">III. Intermezzo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L<em>\u2019Intermezzo<\/em> est d\u00e9di\u00e9 \u00e0 Andr\u00e9 Marchal, alors organiste de Saint-Germain des Pr\u00e9s. Y jouent fl\u00fbtes et &nbsp;nazard, gambe et octavin, entourant de courtes phrases m\u00e9ditatives sur montre-salicional et hautbois-cor de nuit.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S13OQVIKI7M\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">IV. Andante<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019<em>Andante <\/em>est d\u00e9di\u00e9 \u00e0 Alexandre Cellier. Sereine gravit\u00e9 s\u2019opposant au chromatisme de la pi\u00e8ce pr\u00e9c\u00e9dente&nbsp;; chaque r\u00e9apparition du th\u00e8me s\u2019accompagne d\u2019une l\u00e9g\u00e8re variation.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oiHgf5vQ05c\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">V. Choral<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans le <em>Choral <\/em>d\u00e9di\u00e9 \u00e0 Joseph Bonnet, le dessin m\u00e9lodique du th\u00e8me, tr\u00e8s tonal, est d\u2019abord expos\u00e9 avec un simple accompagnement \u00e0 l\u2019octave, puis il s\u2019accentue progressivement, avant d\u2019\u00eatre r\u00e9expos\u00e9 dans un rythme \u00e9largi qui annonce le <em>Final.<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_i63O2VFZnI\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">VI. Final<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Celui-ci, tr\u00e8s d\u00e9coratif, reprend le th\u00e8me de l\u2019<em>Andante<\/em>, et constitue une somptueuse sortie.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nzA_gDvN88g\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">Autre enregistrement du Pr\u00e9lude :<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rtefkLE4cY4?controls=0\" allowfullscreen=\"\"><\/iframe><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">En savoir plus : <a href=\"http:\/\/www.harmonium.fr\/\" data-type=\"URL\" data-id=\"http:\/\/www.harmonium.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Site de l&rsquo;Harmonium fran\u00e7ais<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nous signalons l&rsquo;article qu&rsquo;Olivier Schmitt leur consacre dans le n\u00b026 de la revue de \u00ab\u00a0L&rsquo;Harmonium Fran\u00e7ais\u00a0\u00bb (<a href=\"http:\/\/www.harmonium.fr\/pages\/revue---sommaire---nb026.html\" data-type=\"URL\" data-id=\"http:\/\/www.harmonium.fr\/pages\/revue---sommaire---nb026.html\" target=\"_blank\" rel=\"noreferrer noopener\">Num\u00e9ro de juin 2020<\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>mars-avril 1926 Dans un geste de d\u00e9licate d\u00e9f\u00e9rence, chacune de ces six pi\u00e8ces pour harmonium ou orgue avec p\u00e9dale ad libitum, est d\u00e9di\u00e9e \u00e0 l\u2019un des organistes r\u00e9put\u00e9s de ces ann\u00e9es, et plus particuli\u00e8rement aux deux organistes auxquels Saint-Martin \u00e9tait le plus redevable, Vierne en t\u00eate, d\u00e9dicataire du Pr\u00e9lude, et sym\u00e9triquement, Adolphe Marty, d\u00e9dicataire du &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/www.leoncedesaintmartin.fr\/index.php\/2020\/01\/01\/six-peces-breves-pour-harmonium-op-26\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-108","post","type-post","status-publish","format-standard","hentry","category-ses-oeuvres","item-wrap"],"_links":{"self":[{"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/posts\/108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/comments?post=108"}],"version-history":[{"count":7,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/posts\/108\/revisions"}],"predecessor-version":[{"id":300,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/posts\/108\/revisions\/300"}],"wp:attachment":[{"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/media?parent=108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/categories?post=108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/tags?post=108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}