{"id":101,"date":"2020-01-01T19:57:43","date_gmt":"2020-01-01T18:57:43","guid":{"rendered":"http:\/\/www.leoncedesaintmartin.fr\/?p=101"},"modified":"2020-11-24T11:57:22","modified_gmt":"2020-11-24T10:57:22","slug":"tantum-ergo","status":"publish","type":"post","link":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/2020\/01\/01\/tantum-ergo\/","title":{"rendered":"Tantum ergo"},"content":{"rendered":"\n<p>Ni dat\u00e9, ni catalogu\u00e9, le <em>Tantum ergo<\/em> a vraisemblablement \u00e9t\u00e9 \u00e9crit apr\u00e8s la Seconde guerre. L\u2019\u0153uvre est \u00e9crite pour voix d\u2019homme et accompagnement.<\/p>\n\n\n\n<p>Le texte impose gravit\u00e9 et myst\u00e8re. Le compositeur s\u2019y conforme.<\/p>\n\n\n\n<p>Hi\u00e9ratique,\u00a0 l\u2019harmonie se d\u00e9roule dans une modalit\u00e9 incertaine qu\u2019accentue la succession d\u2019accords de septi\u00e8me. La solennit\u00e9 du chant et ces ambigu\u00eft\u00e9s harmoniques recouvrent d\u2019un voile de myst\u00e8re et de respect le plus myst\u00e9rieux et le plus sublime des sacrements. A ce point que l\u2019imagination compositionnelle semble symboliquement d\u00e9faillir \u00e0 deux reprises (\u00ab\u00a0defectui\u00a0\u00bb dit le texte latin) devant l\u2019ineffable, et se r\u00e9sorber dans l\u2019humble d\u00e9pouillement d\u2019un unisson. Encore plus d\u00e9pouill\u00e9, l\u2019Amen s\u2019\u00e9teint dans le silence.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QjcRvJM76pw?controls=0\" allowfullscreen=\"\"><\/iframe><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ni dat\u00e9, ni catalogu\u00e9, le Tantum ergo a vraisemblablement \u00e9t\u00e9 \u00e9crit apr\u00e8s la Seconde guerre. L\u2019\u0153uvre est \u00e9crite pour voix d\u2019homme et accompagnement. Le texte impose gravit\u00e9 et myst\u00e8re. Le compositeur s\u2019y conforme. Hi\u00e9ratique,\u00a0 l\u2019harmonie se d\u00e9roule dans une modalit\u00e9 incertaine qu\u2019accentue la succession d\u2019accords de septi\u00e8me. La solennit\u00e9 du chant et ces ambigu\u00eft\u00e9s harmoniques &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/www.leoncedesaintmartin.fr\/index.php\/2020\/01\/01\/tantum-ergo\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-101","post","type-post","status-publish","format-standard","hentry","category-ses-oeuvres","item-wrap"],"_links":{"self":[{"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/posts\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/comments?post=101"}],"version-history":[{"count":2,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/posts\/101\/revisions"}],"predecessor-version":[{"id":203,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/posts\/101\/revisions\/203"}],"wp:attachment":[{"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/media?parent=101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/categories?post=101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.leoncedesaintmartin.fr\/index.php\/wp-json\/wp\/v2\/tags?post=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}